John Lennon is dancing. As the other members of the Beatles sing and play, Lennon, ever the cut-up, clowns around, bouncing from one leg to the other with a grin on his face. But something is wrong. His hands move like flippers, turned out at an odd angle and making frantic circles in the air, as if he’s wiping down an invisible window. And as his body moves from side to side, his head seems to lag slightly behind it.
But “Now and Then” is closer in spirit to Jackson’s 2018 documentary. Given access to 100 hours of century-old footage from the front lines of World War I, Jackson digitally restored and then colorized it, further rendering it in artificial 3D on the grounds that it would bring contemporary viewers more fully into the past. The effect was startling, but not in the way Jackson intended.
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