? At just 33 years old, she’s already solidified her place as one of the greatest storytellers of her era. Swift is an ultra-skilled worldbuilder, one who is able to transport listeners from the monotony of everyday life into shimmering wonderlands of her own creation, filled with treacherous villains, knights in shining armor and a heroine you can always count on to prevail.
While where a star this big goes, naysayers inevitably follow, 2023 has proved to be a victory lap for Swift. Her expansive Eras Tour, which takes attendees on a fantastical journey through each of her albums every night, is set to become one of the highest-grossing ever when it’s all said and done.
She recruited producer Jack Antonoff for the project, a decision that would prove to be life-altering—and blossom into a collaboration that’s still going. In the decade since, Antonoff would go on to provide writing and production for every one of her subsequent album releases. Along with Antonoff,Taylor’s Version
series so far) with the support of an A-list team that also included Shellback, Ryan Tedder, Nathan Chapman and Imogen Heap. The project was a smashing success, spending 11 weeks atop theLike the rest of Swift’s re-recordings,is faithful to its source material. There’s still the wide-eyed amazement and throbbing synths of “Welcome to New York,” the triumphant saxophone line of “Shake It Off,” the frank 20-something lust of “Style.
But it’s the “From the Vault” tracks that make this re-recording Swift’s best yet. There’s “Slut!,” a lovestruck, ‘80s-esque track that, like its twin flame “Blank Space,” embraces the singer’s boy-crazy media reputation—though it leans more into its own tongue-in-cheek chorus .
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