Denver Art Museum’s Martin Building in Denver is pictured on Tuesday, Oct. 25, 2022. The thousand-year-old Indian statue sat in the Denver Art Museum’s Asian art collection for six decades, a gift from prominent New York art dealer
Art experts say this should be the gold standard, an important tool for transparency and accountability as a public institution with an educational mission. , the national agency in charge of protecting the country’s rich cultural heritage. He provided detailed evidence that the Denver piece had been stolen from the Ghatesvara Temple sometime in the 1960s.
After alerting Indian authorities to the plundered Denver piece, Mankodi said he sent a letter in May 2010 to the museum’s Asian art curator, including the same photographic documentation. The same week, she said, the museum initiated the process of deaccessioning the relic for its eventual repatriation to India.
But pieces such as the celestial goddess garnered no public announcement. And the press releases for these repatriated pieces do not include accession numbers, provenance information or object descriptions — all key for academics, law enforcement and members of the public interested in researching a museum’s collection.
Researchers who want to study them will still be able to get information this way, since the museum can’t provide access to items no longer in its collection, said Lynley J. McAlpine, the San Antonio museum’s associate curator of provenance research.Former museum directors and other industry experts say the Denver Art Museum should adopt these best practices as it continues to probe its collection for problematic works.
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