Singer Jenny Lewis’s new album “On the Line” is her best work since her 2006 solo debut, “Rabbit Fur Coat.” By Allison Stewart March 15 at 8:00 AM Jenny Lewis has one of those faces. If you were to run into her in her natural habitat — a vintage clothing store or Whole Foods — you might recognize her, even if you’re not sure from where.
Many regular guys are afraid of her, rich guys seem unappealing , and she’s more famous than most of the artists she knows, which is potentially a problem. She reluctantly attended a JDate speed-dating event once because her godfather wanted her to meet a nice Jewish doctor. “It was way too weird,” she says, but at least no one recognized her.
Lewis remembers watching a video of Ringo Starr and Harry Nilsson playing on the roof of the Capitol Records building circa 1974, with Ringo wearing a bright blue onesie with a star on the front. She must have watched this video a thousand times back then, because God, she loves Ringo, and she’s also partial to onesies.
Lewis says her relationship with Adams was strictly professional and is reluctant to say much more, but this is basically what happened: Adams began work on Lewis’s last album, 2014’s “The Voyager,” but could not be persuaded to finish. Lewis reenlisted him to produce “On the Line,” hoping things would work out differently. They didn’t.
“On the Line” is slower and more muted than Lewis’s past albums; there are gently swinging retro-country ballads, mostly sad, with an emphasis on pianos and organs, the latter provided by Benmont Tench, former keyboardist for Tom Petty and the Heartbreakers. Petty died during a break in the sessions, followed weeks later by the death of Lewis’s mother.
Lewis’s father wasn’t a presence in her life, but his role was played by a series of reassuring ’80s television dads. “Corbin Bernsen, David Strathairn, Peter Scolari,” Lewis remembers. “These guys that played my dads, they were the best guys.”
Who?
I love this woman.
Who tf is Jenny Lewis?
She is a perfect singer
Who?
Who?