This cover image released by RIMAS Music shows “Nadie Sabe Lo Que Va a Pasar Mañana” by Bad Bunny. ‘s idiosyncratic baritone — instantaneously recognizable in both in his somber singing and stadium-sized raps. There is no question when Benito Antonio Martínez Ocasio’s records are playing.
It’s why much of this album recalls Bad Bunny’s early days: the Latin trap of his debut album, 2018’s “X 100PRE” — like in “MONACO” and “GRACIAS POR NADA.” Simplifying his approach doesn’t mean sacrificing his innovations. Those aren’t hard to find: “VOU 787” utilizes the synth that opens. “BATICANO” teeters on BDSM synth-wave — that is, if the genre used lyrics about the Teletubby character Tinky Winky in a NSFW fashion. “HIBIKI” similarly explores a kind of techno-house; “Where She Goes” is Jersey club.
Love for his island is abundant on this album, as it always is: the record features those Boricua idols, but also the current and next generation of Puerto Rican talent in Eladio Carrión, Young Miko, Mora, Bryant Myers, Yovngchimi and Luar La L.
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