The Big Picture While director David Gordon Green’s The Exorcist: Believer can now celebrate becoming the franchise's second-biggest installment at the global box office, much like its first-place debut just over a week ago, the victory is bittersweet. It’s plain and simple after 10 days of release, the legacy sequel isn’t quite performing as well as anybody involved would’ve liked.
The Exorcist: Believer finished second at the domestic box office this weekend, after registering a hefty 58% drop and being all but eviscerated by Taylor Swift: The Eras Tour. The film has earned $44 million domestically, in addition to another $40 million from overseas territories, for a cumulative global haul of just under $84.9 million.
Sure, none of the Exorcist sequels have been able to live up to the landmark performance of the original film, directed by the late William Friedkin and released exactly 50 years ago. But the shadow that the original Exorcist cast over pop-culture is simply too large to ignore. The film grossed a then-record $440 million worldwide, and scored 10 Oscar nominations.
The Franchise Is Facing an Uphill Climb But in typical industry fashion, the franchise was driven into the ground with a series of sub-par sequels starting with Exorcist II: The Heretic , The Exorcist III , and the prequel, Exorcist: The Beginning . The Beginning was excavated from a fully-shot film turned in by Paul Schrader, which was given a token theatrical release a year later as Dominion: Prequel to the Exorcist after being considered too esoteric.
Green and Blumhouse devised The Exorcist: Believer as a new trilogy-starter, following the blueprint of their rebooted Halloween series. Universal reportedly shelled out $400 million for the rights to the franchise alone, but the studio is free to monetize it beyond theatrical films, which seems like something that it will have to do, considering how this film has performed both critically and commercially. A direct sequel titled The Exorcist: Deceiver has already been dated for 2025.
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