Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Lessons in Chemistry is a new drama from Apple TV+ created by Lee Eisenberg and directed by Sarah Adina Smith . The series is based on a book of the same name by Bonnie Garbus, which was released in 2022 and was the author’s debut novel.
Carlos Rafael Rivera: I was pretty much clearly asked because of The Queen's Gambit. I think that with the storyline, as I was first approached, they felt there was a kinship between the characters, the time , and they liked the work I'd done on that. As I came into it, the first music I wrote had classical guitar and it was a very conservative score. And it wasn't meshing; the guitar wasn't meshing well.
Carlos Rafael Rivera: I think you're aware of what's happening, and you're looking at the visuals and the beautiful set design, and the beautiful work on production values that you're seeing come in on the dailies as well. You always want to write and rise up to that; whatever you're seeing, you want to react to. But more importantly, I'm always thinking of the characters way above the time period.
For Calvin, ultimately, his character is like the heart of the story. What's interesting about Elizabeth Zott is, she's someone that if you met, you may not necessarily like. Calvin, the same thing, but they found each other. Calvin brought out the human heart that Elizabeth has always had, but because of life events, had closed up to a certain degree. So, that theme really felt like it was the heart of the whole story.
The reason I'm bringing all this up is because I do feel like, when you are writing and giving roles to musicians, it's very good when they know where they're going. Even if it's the viola--not the violin , let's say, is playing the melody. When you have somebody doing something, you want to make sure that whoever is doing the other thing is completely clear in that line, and that line has a purpose. It's not just doing this, then the melody, but then to the bassline.
You talked about going the synth way and the guitar way, but with my limited classical knowledge, some of the piano pieces reminded me of Debussy a little bit, in that they were very , beautiful, and melodic. Did you have those kinds of influences in your score at all?
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