These words are taken from a 48-page booklet of original art and essays by Sufjan Stevens, which comes with the vinyl of his new albumMy first love was an involuntary sound – the music of the spheres – a subdued, white-noise shuddering of my heart, a fluster of hummingbird vibrations that I could taste in the prenatal hemispheres of my mouth, body against body and brain against brain, two conjoined selves conjuring an off-shore thunderstorm in the horizontal distance, dazzling with flashes of...
towels and cotton cloth wrapped in armfuls of goose down feathers transfixed in the careful undertaking of childcare. A sensual delight! I was an object to be objectified, a thing to squeeze and prickle, caress and carry about in a breadbasket. I grew from a pinecone to a pine tree, from a newt to a dinosaur, from a poppy-seed to a poppy flower bursting with fireworks. This love then transferred its fornications onto something wet, wild and ornithological – a flying, feathery python ascending to its countenance as a bastion of bridegrooms in a flaming aviary chariot of leathery kisses all aimed at my elbows. Hope
is a thing with bird feeders. So I watched the feathered fowl crowd around the seeds and suet, grubs and grains with dinosaur intensity, beaks and claws doing their vast prehistoric business with messy execution. My lovers cawed at their community of plumy mishaps like transcendental mother hens: nuthatch and creeper, tanager and titmouse, blue jay and junco gallivanting together like an armful of woolen throw blankets clapping the dust from their ornamental features.
I was born-again in fullness and truth. I was a peanut. I was a pretzel. I was a pan-fried shrimp. I was pandemonium personified. I was once again myself waiting to happen again and again and again and again and again … until the end.