introduced the world to the cinema of Joel and Ethan Coen, and the world has been a better place ever since. The brothers, of course, went on to bigger budgets, Oscar victories and a variety of genres, but their writing and directing were already in top form when they made this stylish noir thriller. John Getz, Frances McDormand and Dan Hedaya are all excellent in the story of an increasingly bloody romantic entanglement, and M. Emmet Walsh steals the show as a sleazy private detective.
explores the tension that accompanies polite social norms and the quiet desperations they often mask, and many scenes are awkward enough to make your skin crawl. The emotional restraint displayed by Jerry Lundegaard and Mike is a thin and disingenuous veil over yearnings for money or companionship. The foil to this, obviously, is Frances McDormand’s Marge Gunderson, who just really is that nice and hardworking and downright normal.
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