Emerald Fennell wants 'Saltburn' crowds to 'get rowdy and sexy'

— essentially movies about power and class and sex and where those things intersect . "It is about that intersection, and where watching and being watched and all of that stuff collide," Fennell explains. "That all feels really exciting, especially now when we are terminally watching and being watched online outright."

One person who was clearly all in was Keoghan, who gives an astounding turn as Oliver. The film asks the most of him — everything is seen through his enchanting blue eyes, from the story's humble beginnings to its gonzo ending. He has the unenviable task of serving as both conduit and mirror, making us as the audience both relate to him and recoil at our own reflection as we do so.in the role and makes it look insultingly easy. "That's the thing with Barry," Fennell says.

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Saltburn Was Shot on Location and the House “Itself Feels Alive”When it comes to movies where the location is part of the film itself, shooting on location is all the more important. When you have a film like Saltburn, which explores the decadence and insanity that comes with the upper class, you need a location that will capture that. Director and writer Emerald Fennell knew […]\n
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