smuggled her into other corners of the pop mainstream.Then again, if she only crossed your radar five years ago when she blew the roof off Detroit’s Greater Grace Temple singingat Aretha Franklin’s memorial service, you’d assume she was born gospel royalty. To say the least, it was a performance worthy of its inspiration.“We were friends,” Khan says. “I went to see her at Dorothy Chandler Pavilion [in LA in 1977].
The simple wisdom arrived after a long philosophical route. Chaka Adunne Aduffe Yemoja Hodarhi Karifi Khan was given her name by a West African Yoruba high priest when she was 13. A couple of years later, she was selling newspapers for the Black Panther Party in jeans and bare feet on Chicago street corners.“I used to go to a lot of rallies,” she says, mainly at the instigation of her stepmother.
“Short guy, cute, playing guitar. I walked in and I asked ‘Where’s Sly?’ And then Prince says ‘Oh, that was me’. I said, ‘Who are you?’ ”Los Angeles Magazinelisticle. Aretha at No. 1? “As she f---ing should be.” Whitney at two? “Great … I’m the one who introduced her to Clive [Davis].” But Mariah Carey at five? “Payola”. Adele at 22, seven higher than Chaka Khan? “OK, I quit.”Like Aretha before her, Khan doesn’t play.
The truncated meeting would precede one of the greatest creative relationships of Khan’s life. “Unbelievable,” she says. “We did that album together called[in the late ’90s] and we did it in two weeks. He told me to write poetry. I mean, I would give him a poem every other night, maybe. And he would come back the next night with the music ready.
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