Danish artist gave a museum empty frames. Why it’s more than just a stunt.

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Conceptual artist Jens Haaning intended the works to be a commentary on capitalism; the Kunsten Museum of Modern Art Aalborg sees them as a breach of contract.

“Suddenly, the expenses carried on my shoulders got bigger and bigger,” Haaning said in an interview with The Washington Post. He found it “completely unfair that I need to come up with money in my pocket to go to work.”exhibition

at the Kunsten Museum of Modern Art Aalborg about labor. The artworks he was re-creating — “An Average Austrian Annual Income” and “An Average Danish Annual Income,” first exhibited in 2010 and 2007 — consisted of those countries’ mean salaries, displayed in hard cash. The museum lent him the equivalent of $84,000 at the time on the condition that he would return it.Haaning, instead, decided to give himself a salary to “Take the Money and Run,” as the work’s title makes clear.

Haaning to repay 492,549 Danish kroner to make up for his “deficient performance,” raising questions about the fuzzy line between con and commentary, and whether Haaning was breaking the law — or just breaking boundaries.during the four-week appeal period.There’s an overused criticism people tend to level against contemporary art: “I could do that,” they say, and Haaning’s frames seem to underscore their point.

 

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