and Tim Rice’s soul-stirring “I Don’t Know How to Love Him,” from “Jesus Christ Superstar,” came across the airwaves, the experience became transcendent.
Among the movie’s chief delights is watching Troy break out of business-school mode as he gets to know the people at the camp and learn their language. When the resident stage tech, Glenn , announces that they’ll have to prioritize musicals over straight plays, Troy asks what a straight play is. “There are musicals, and then there are straight plays,” Glenn explains. “So then what would be a gay play?” Troy asks.
The love that Gordon, Galvin, and Platt have for their material shines through in both the good-naturedness and the scope of the film’s humor. “Theater Camp” has a joke-book feel, poking fun at its subject from various angles: a young thespian is shamed for shortcutting her way to crying onstage via a tear stick ; one of the instructors sets expectations for any of his adolescent students who might be considering a performing-arts career.
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