‘Lil Nas X: Long Live Montero’ Review: A Concert Film Captures the Scrappy Grandeur of Lil Nas X Onstage, and Revealing Who He Is

You know you’re watching a true pop star when that person’s identity — their very existence — smashes boundaries. Elvis Presley was a country boy who mixed country and rockabilly and the blues, and with his sneer and black hair and mascara he looked like no human had ever looked before.

He’s talking about the toll, and about the liberation, but it’s not simply a personal odyssey. When Lil Nas X came out, in June 2019, he was busting down the limits of what a certain kind of music star could be. He was an artist rooted in the traditions of rap, a form that prizes masculine braggadochio and defines that in a particular way. Simply put: as not gay. Lil Nas X, by declaring who he was, was saying: No, rap isn’t “straight” or “gay.

Viewed next to the hallowed rock history of pompadours and wild hair, Lil Nas X, on stage, has hair styled so high it looks like a nuclear cloud; on his body is a gold breastplate over a bare midriff. Tall and ripped, he’s gorgeous — a leonine statue with a light in his eye. Says one fan outside a show, “He’s the first male celebrity I wanted to fuck and be at the same time,” which says a great deal.

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