Williams even co-authored a paper on it for Harvard Law Journal in the 1990s, all about the resurrection of deceased actors.The trailblazer is the subject of a new documentary, Jurassic Punk, which charts the rise and fall of his career in Hollywood as he pioneered CGI but let his ego and disrespect of authority get in the way of rising through the ranks.
‘I wish to God I had continued more with that interview on that panel because I warned them back then, I said, “Look, I don’t think it’s right I’m just saying it’s inevitable.” We are driven by trying to replicate ourselves synthetically,’ Williams admitted. ‘Then of course, what do studios do? They said, we’ve got something, let’s do another one and find a bigger creature and, all of a sudden, the antagonist – which is the visual effects – ends up deposing the protagonist – which is the story and the character.
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