universe is purely hers, a slickly constructed soul-and-funk-led R&B sound, dripping with thumping bass guitars and delicately stacked vocals. This includes her music videos—by the time she has finished working with a song, it has lived within her so long, she has already begun to form a visual narrative and storyboard. “We’re very specific with what directors we want to use, what style we’re going for—lot of references, mood boards, color palettes.
,” she says, laughing. “I just have to be open once I invite directors to collaborate or, you know, reach out to other people, just being open to how they see it as well.”’s sequel to the world, her team poring and nitpicking through the album until no stone was left unturned. “There was a point where my team thought the project was done,” she said. “And I was just like, ‘I don’t know some things; I don’t think it’s done.
“On My Mama” was the first song she wrote postpartum that she liked. “I was really having a hard time after having Hazel, because sometimes I'm really inspired by my environment and what’s happening in my life, and all I was really doing was, like, feeling down and breastfeeding,” she says.
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