Review: Superhero movie Blue Beetle leans on the representation crutch but falls flat

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The comic book movie wants to champion diversity, but can’t rise above its clumsy writing

. We’ve never seen a superhero movie centre a Latinx character before, which I say as a matter of fact. Though that point can just as easily be a disclaimer to any observations made in this review or others. Representation is the crutch this latest limp and derivative comic-book movie leans on – a reason for critics and audiences who want to champion diversity to simply overlook how dull and hideous-looking this latest franchise is.director James Gunn and producer Peter Safran.

Maridueña is giving YTV host energy as Jaime Reyes, a Mexican-American graduate returning home from college to Palmera City – a lightly futuristic take on Miami that looks designed for one of those techno-styled Y2K-era music videos. Jaime is holding a law degree but can’t land a decent job to help support his family, who are about to lose their humble home due to jacked rents.

How Jaime ends up with the bejewelled Scarab that gives him his powers involves run-ins with celebrity heiress Jenny Kord . Jenny, whose dad Ted is a familiar name to anyone who might have read the Blue Beetle comic books, is trying to disrupt her megalomaniacal aunt Victoria Kord’s scheme to weaponize the alien technology. Susan Sarandon, wearing smart suits and batting evil eyes, leaves an impression as an uber Karen even when phoning it all in.

The only scene that raises a pulse is a raid Victoria orchestrates on Jaime’s family’s home. Soto shoots the scene – with spotlights creeping through windows and the Mexican family kneeling vulnerably on their front lawn at gunpoint – in a way that recalls the ICE raids on illegal immigrants in the US. But the movie doesn’t deliver any genuine payoff to such opportunistic gestures.

 

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