In a social media video she shared on Thursday, the pop culture icon marked the anniversary by dancing to “Lucky Star,” the fourth single from her 1983 debut album, which was also her first top-five Billboard hit in the US.
“I was so impressed with her from the first time I met her,” Bobby Shaw – who worked in the world of music promotion in early-1980s New York City and was the first promoter of Madonna’s music – told CNN. He also called her a “go-getter” who was “really aggressive” in wanting to know all about the business.
“So I’m out that night with George Michael and Andrew Ridgeley, taking them to various clubs. And we’re at Danceteria, we’re at the second floor bar area, which is where Mark Kamins was the DJ. And I saw this girl go across the dance floor and up to the DJ booth and I said to myself, ‘That’s gotta be this girl that Mark’s talking about,’” Rosenblatt said, going on to mention that the two started talking, and made an appointment that Monday for Madonna to play him her demo.
Rosenblatt’s instincts kicked in, and he wanted to move fast in securing a deal with Madonna. Which meant talking to his boss, Sire Records president Seymour Stein, and setting up an appointment for the two to meet the very next day – even though Stein was in the hospital at the time for a heart-related issue. .
Rosenblatt said it had to do with just how novel Madonna really was – not only in terms of her personality and presentation – but also because her music differed from what was popular at the time.“There was disco, and there was new wave. And there was nothing in the middle, you know what I mean? So nobody was interested,” he added, going on to say that it was “also maybe because she didn’t have a manager or lawyer out there shopping. She was just this club kid.
“Back then, unless there’s an album to back it up, the record companies aren’t going to spend a lot of money to try to get it on radio,” he explained.” was a good record. It’s pretty simple,” Shaw said. “The song was great. It doesn’t take a rocket scientist to figure that out.” “So we made the album and it had ‘Borderline,’ which I knew was a smash. It had ‘Lucky Star,’ which I thought was gonna be a big hit, but it didn’t have what I wanted to be the lead off, just stone cold hit,” Rosenblatt said. “And I went to Seymour and I said, ‘Dude, I need another $10,000 to do another song.’”
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