The original poster for The Conjuring is quite striking. A house, obviously haunted, sits in the distance, half-submerged in a patina of ghostly fog. In the foreground, a mighty tree curls in and out of view, its gnarled limbs framing the ominously bucolic scene. Look closely, and you can see a supernatural shadow of a dangling body on the leaf-strewn ground below as an empty noose hangs from a limb of the tree above. With this one image, Warner Bros.
The Conjuring - Official Trailer 3 [HD] A major influence Looking beyond his empire of original, still-running series, Wan has exerted a clear influence over the shifting trends of mainstream fright flicks, including how they look and sound and move. So many of the scary movies that make their way to multiplexes these days owe a debt to his formula of old-new thrills, the way he’s repackaged classic ghost story fun for the 21st century.
There’s even a little of the Wan touch in the celebrated art-house horror of the past decade. Maybe the most acclaimed entry in that “elevated” movement, Ari Aster’s bloodcurdling trauma dump Hereditary, deploys some popcorn-spilling tactics from Wan’s horror playbook. When Toni Collette perches in the upper ceiling corner of a darkened bedroom, in a trance state of maternal unholiness, what we’re seeing is a variation on the peekaboo parlor tricks of the extended Conjuring family.
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