The Big Picture From director Rodrigo Gudiño, the founder of Rue Morgue Magazine, and executive producer Slash, who also did the film’s music, the horror flick The Breach follows Chief of Police John Hawkins as he finishes out his last days at work in the tiny town of Lone Crow. When he’s sucked into one last case, after a gruesomely mangled body with inexplicable wounds washes onto the shore, he never expects to get caught up in a bizarre mystery with a horrific outcome.
Was that something that was your idea, or was that something that someone came to you with? How did the company happen? When you’re creating music for a movie, does that differ from when you’re creating music for something like Halloween Horror Nights? Is the process different, or is the process always exactly for you, regardless of the specific medium?
I have to say that you playing on the ‘80s power ballad, “I’m Just Ken,” for the Barbie movie was not on my 2023 bingo card. It’s genius, but it’s also insane. When you were approached about doing that, what was your initial reaction, and what ultimately won you over? I’m aware of your interest in and love for dinosaurs. Do have any sort of plan to work your love of dinosaurs into a movie that you’re involved in? Is there any way you could bring these two worlds together?
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