The Keystone Korner was a legendary jazz club in San Francisco between 1972 and 1983, a place where Rahsaan Roland Kirk, Art Blakey and Dexter Gordon recorded important live albums. Owner Todd Barkan reopened the club in Baltimore in 2019, and it has become a second home for me, a place where I can hear the finest jazz pianists in the world—often the best pianists in any genre.
Another piano-led all-star line-up visited the Keystone Korner in Baltimore’s Harbor East this past spring. Renee Rosnes was joined by vibraphonist Steve Nelson, bassist Peter Washington and drummer Lewis Nash. They mostly played jazz standards, but they handled them so skillfully, so distinctively that they all seemed new again. Rosnes blended classical piano chops with confident improvisation, whether coaxing romance from a ballad or swagger from a swing tune.
It works splendidly. The chiming sounds of Genovese’s Rhodes and the bleeping of his synth contrast with the crispness of Klein’s piano without preventing an ultimate merger of the two. Whether it’s the drifting reverie of “Burrito Mirror” or the wind-up music box of “Push Me Not,” the themes are memorable, even as the rhythms seem to slip and slide under the listener’s feet.by Kris Davis’ Diatom Ribbons. Davis is a gifted keyboardist, and this is an admirably ambitious album.
by the Tyshawn Sorey Trio, featuring pianist Aaron Diehl. Sorey is a composer who has made waves in both the jazz and classical worlds, but for this project, he demonstrates his imposing percussion skills on a set of four jazz standards, each clocking in at 10 minutes or more. These long interpretations never falter, because all three musicians keep stretching and squeezing the rhythm in astonishing ways under the pleasurable melodies.
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Source: RollingStone - 🏆 483. / 51 Read more »