Meet Aindrea Emelife, the Curator Bringing Nigerian Art to the Venice Biennale

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'I was a little bit of a black sheep.' Curator AindreaEmelife talks scouting talent, the origins of her interest in art, and how she’ll prepare for next summer’s Venice Biennale.

featured the work of 19 international artists who traced the history of black women, exploring the art world, identity and history, while examining where each starts, ends, and converges. It is this type of thinking that flips what we know about art and history on its head, and which Emelife will bring to the 2024 Venice Biennale, where she will be hosting the prestigious festival’s second-ever Nigerian pavilion.

VINCENT: You mentioned how people from the outside view African art as a sort of monolith, as a particular style. Why do you think that is? EMELIFE: It kind of happens very naturally. I’ve got a lovely network of art historians and artists who are very passionate about this and we have lots of conversations about art we’ve seen, things that we’ve read. What I’m really interested in at the moment is trying to delve into the archives to find the artists that have been lost throughout history, of which there are quite a few. But moving back to the contemporary, you actually don’t need to look that hard.

 

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