, his fourth studio album, delivers this trifecta through each of its nine songs, doling them out in a way that feels like both a fever and a fairytale. in 2019 and left Nashville, only to come back again. While his 2022 albumis a declaration of his promise to become one of the heartland’s greatest storytellers.
The album pulls back the instrumentals in favor of the fiddle, mandolin, and banjo, digging into the bluegrass influence that has always traced Lee’s work and showcasing some of the best string players in town including Grand Ole Opry members Jason Roller and Eamon McLaughlin. “I wanted to refine the stories. I wanted to get really gritty, I wanted people to hear these words, and really feel something… And that’s why we stripped it,” Lee tells. “We scaled it all the way back to just acoustic instruments for the most part and it’s beautiful… I think we succeeded in capturing that respect for language, respect for storytelling, in this record.”
The album sweeps open with “The Wild,” an ode to the incessant search to break free of reality’s “gravity.” The tempo gently lifts as Lee sings, “I’m a reckless child, born to the wild/A set of broken wings, falling out the tree/If I were heaven sent, would I be so hellbent on all this misery weighing down on me?” It’s a sentiment later echoed in “Eveline.”
The ballad winds into “Even Jesus Got the Blues,” telling a woman’s story of addiction on the “dark side of the road” as she prays, “Make me an angel lord, find me a way.” While the song, which narrates the country’s opioid epidemic, could lean into the tragic, Lee is careful to portray her story with hope and beauty, setting it against a sanguine velocity that feels cathartic.
Entertainment Entertainment Latest News, Entertainment Entertainment Headlines
Similar News:You can also read news stories similar to this one that we have collected from other news sources.
Source: RollingStone - 🏆 483. / 51 Read more »