While it has been more than a decade that saw the heyday of the Kabayao Quintet in Iloilo City, their musical reputation and prowess still retained the excitement of witnessing them perform on stage.
The evening of the Fourth of July saw Diversion 21’s Ann Margaret Hall packed to the rafters with aficionados who, if not necessarily to indulge into the obscura of the genre, then at most to pay tribute to an exceptionally talented musical family that has become emblematic of what Filipino musicality can accomplish and can contribute to the canon.
; this was the personal motto of the piece’s dedicatee, Joseph Joachim, as well as the basis for the sonata’s cryptographic musical reference – the notes fa , la , and mi . In the curious interlude that followed when Mrs. Pineda-Kabayao had to wrestle with an impromptu asthma attack, one can but marvel at the intensity and endurance with which the grand old lady maintained her poise and phrasing. Unfazed to the last note, she returned to the piano and proceeded to plow through the rest of the concert with nary a blurry staccato or a choppy arpeggio. One might even go as far to say that in the absence of an accompanying orchestra, Mrs.
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