Madonna with guitarist Paul Pesco at the start of her career in the early 1980s.Possessing neither the gospel grandeur of an Aretha Franklin or the folky feels of a Joni Mitchell, Madonna — who was set to commemorate the 40th anniversary of her debut with her “Celebration” tour launching on July 15 until— made her own path, as the mother of a pop reinvention.
After moving from Detroit to New York in 1978 — “with her tap shoes and $30,” as Rosenberg describes —, where she met DJ Mark Kamins in 1982. “I told her, ‘You gotta come by with some ID because I don’t believe your name is Madonna,’ ” recalled Rosenblatt. “And she said, ‘It is! Why don’t you believe me?’ I said, ‘Because it’s just too good to be true. It’s perfect.’ ”
at Sire parent company Warner Bros. Records — had a totally different impression of her new artist upon first hearing her demo. The singer’s image was not featured on the cover of the single — a shrewd move, made in the nascent days of MTV, so that her race would not be a factor in her getting played on black radio stations.
“Let’s face it — she was trying to be a star,” Shaw told The Post. “She worked it. She worked her personality to a tee — and sex. It helped … I said, ‘She’s a smart cookie.’ But she did listen to me. And I don’t think she listened to too many people.”
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