Misty Copeland on Playing a Woman About to Be Unhoused and Dancing While ‘Very Pregnant’

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She spoke to Jezebel about her new short film Flower, returning to dance, and ballet's 'bubble of elitism.'

to portray the emotions of a community in crisis. And without dialogue, its most breathtaking displays of humanity happen on the faces and bodies of its artists.at the Lincoln Center after its debut at the Tribeca Film Festival. We know Misty Copeland the dancer, who in 2014 became the first Black woman to perform the lead role of Odette/Odile in ABT’smeet Misty the humanitarian, the auteur, the mother.

“I grew up houseless for a lot of my childhood and know what that feels like to not have stability, to not have real structure in your life, and to not know what tomorrow might look like.”So we went in secure and planned and intentional, and had an honest conversation with members of the community. We asked, “What has your life experience been? How did you end up here?” And we just let them talk. We had no idea what we were going to do with the footage.

What was it like for you to inhabit that character? I know you also experienced housing instability throughout your childhood.One of my favorite things about performing and being a ballerina is the acting and the storytelling through movement, so it’s exciting to be able to take on a character I’ve never played before. I tried my best to listen to people around me and the things that they’ve gone through.

There was also a small bit of my own life experiences that I could draw from. I grew up houseless for a lot of my childhood and know what that feels like to not have stability, to not have real structure in your life, and to not know what tomorrow might look like. Our director Laura also did an incredible job of coming onboard and collaborating with me in the studio as the choreography was being created, and helping me develop the character.

I mean, look at ballet’s origins. It’s a European art form that has been very exclusive for hundreds of years. They tend to not—I say “they,” but I’m a part of it—tend to not tell stories that are relevant to the times. But what’s so crazy and what’s so interesting is that everyone has such an innate connection to movement—every human being, every community, every culture around the globe. It’s such an intrinsic part of who we are. Babies come out and they want to move their bodies.

 

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