Christine Vachon Talks Todd Haynes, The Writers Strike & Reveals The One Project She Still Wants To Make — Karlovy Vary Int’l Film Festival

The session, moderated by Deadline’s Mike Fleming Jr, opened with a focus on Vachon’s career before blossoming into a wider discussion about the industry, including what Vachon believes exhibitors can be doing to encourage audiences to get back into cinemas.

The Killer Films producer was later asked if she’d ever thought of attaching herself to some of the movies that make a lot of money at the box office where “the cast are dressed in spandex and save the world” — a reference to superhero films. and a few months before when the movie was in post-production, we got a cease and desist letter. I can’t even remember from who, but there was a company that was making Boy George’s memoir Take It Like A Man into a movie,” Vachon said. “They had copyrighted the title, so we couldn’t use it. Kim was devastated. Finally, we came up with. At the time, we all thought it was a comedown, and now I can’t imagine the movie being called anything else.

The 43-minute pic went on to enjoy a successful run in the downtown New York experimental film circuit and played at several international festivals, including Toronto, but has been withdrawn from circulation since the early 1990s after Richard Carpenter, Karen’s brother, and longtime collaborator, filed a lawsuit against Haynes, which the director lost. Haynes made the film as an MFA student at Bard College and used many of Carpenter’s songs in the film without obtaining permission.

The session, moderated by Deadline’s Mike Fleming Jr, opened with a focus on Vachon’s career before blossoming into a wider discussion about the industry, including what Vachon believes exhibitors can be doing to encourage audiences to get back into cinemas

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