How Would a SAG-AFTRA Strike Affect the U.K. Entertainment Biz?

If you ask most people in the U.K. industry how business is going right now, they’ll likely tell you it’s been agonizingly “slow.” It’s meant to be boom time for production, but this summer, the U.S.This week, as the clock ticks away on negotiations between American actors union

Myriad issues affecting American performers are resonating in the U.K. In recent years, concerns over artificial intelligence and. “Those are the big things, but also holding a strong position on maintaining that our members get proportionate remuneration from their work and the exploitation of it in new media — those are very, very strong shared positions,” says Fleming. “Honestly, one reads the SAG-AFTRA claim and they are absolutely the same issues we’re discussing with producers in the U.K.

But the work of actors is, in many ways, more immediate than the work of writers. One senior talent agent in the U.K. with high-profile clients who are both Equity and SAG-AFTRA members says the optics of continuing any work while others are forgoing their livelihoods will be unsavoury. Max Rumney, deputy CEO and director of business affairs for British producers’ trade org Pact, agrees that an actors strike “could be more comprehensive than the writers strike.”

One of the key questions the exec is fielding surrounds the waiver for SAG-AFTRA’s Global Rule One , which allows U.K. producers to use guild actors for local productions while waiving the GR1, which outlines that “a SAG-AFTRA member must always work under a union contract around the globe.

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