any AI creator that uses his voice - a stance that seems to be the general consensus from most artists in regard to generative AI in the music industry.Mason did say that these current rules stand for now, and hints at a possibility that this might change as artificial intelligence continues to destabilize so many aspects of our culture and media.
These are some pretty loose distinctions, but it does seem like the Academy is taking a step in the right direction in dealing with this whole new wave of art - if you consider it art. While I may not personally regard generative AI projects as art, that doesn’t necessarily stop these projects from being, well… good.
Despite not having worked on the song at all, The Weeknd and Drake were both credited for 'Heart On My Sleeve'. I think we’re only a couple of years away - if that - from seeing a whole new category bubble up in music awards as people implement AI into their work or whip up an entire ‘artist’ created entirely using AI. After all, the popularity of digitally-created ‘Vocaloid’ artists in Japan proves that there could be a long-standing precedent for AI-generated musical personalities to succeed.
As it stands, as long as any music facilitated by artificial intelligence fits the parameters listed, it can be submitted for a Grammy - but the AI won’t be considered a performer or songwriter. It’s a tricky line for the Academy to walk; while a lot of folks in the music industry
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