, Kim Jones presented a collection imbued with a sense of romantic futurism; Anders Christian Madsen reports from the front row.It was the futuristic dream version of Cher Horowitz’s computerised wardrobe: at the push of a button, 51 complete looks for day and leisure elevated through Dior’s silver floor on square platforms.
Clad in Jones’s reimagined collages of pan-Diorian references, the exercise had a beam-me-up-Scotty quality about it, as if each look had travelled through time and been adapted to the present day, or indeed the future. Every evocative silhouette or traditional garment was amplified through texture or ornamentation, such as tailoring that looked like bouclé constructed in the house’s emblematicmotif, or tennis twinsets encrusted with jewels, or vests re-contextualised in leopard print.
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