reaches an audience primed to see the dark side of the classical music world. And while Cate Blanchett’s Lydia Tár stands out for her abusive behavior, she also represents one common fact: Very few conductors of major orchestras are women.
Maggie Contreras’ likeable, informative Tribeca documentary follows an event created in 2018 to address that inequity. Every two years, women in the early stages of their conducting careers join the
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