‘Blue Jean’ Review: Riveting Queer Identity Drama Is a Head-Turner for Both Director and Lead Actress

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A lesbian gym teacher in late ‘80s Northeast England begins questioning her double life in the face of a law stigmatizing LGBTQ Brits in Georgia Oakley’s first feature, starring a revelatory Rosy McEwen.

, painting the goop on her hair with practiced efficiency to the shimmering notes of Chris Roe’s score.

Stepping from the bathroom into the living room of her drab flat, she settles on the couch to watch, described by raucous host Cilla Black as “The show that tries to find a boy and a girl that go together like birds of a feather.” That might sound exclusionist or even like a microaggression to some more politically inclined queer viewers. To Jean, it’s just pleasurable fluff.

 

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