LAWRENCE: Yeah. I’ll walk or do lunges from side-to-side while I’m reading. I’ve tried a million things to make it a better process. It’s just not something I enjoy doing. But I want to be hands-on with the note process, with preproduction, and we’ve been super involved in post. We recently went to Stockholm to edit a doc, and Justine’s a real natural. She could be in an editing room for 23 hours. I, of course, am different.
LAWRENCE: Women have been welcomed—I don’t want to say welcomed—allowed, into more parts of the industry. I can’t speak for every woman but there’s this extra gusto. You want to prove yourself, and you’ve had to do everything the hard way for a really, really long time. So you’re just used to not being able to ask somebody to do something for you.LAWRENCE: It’s a combination of case-by-case and empowering new filmmakers.
DIAZ: One of the questions here is about having your child grow up with a famous parent. By the time your little guy is 15, do you think that you’re still going to be making movies? Or do you see yourself dipping out at any point?