Superhero Fatigue Is Real. The Cure? Make Better Movies Than ‘The Flash’

— not something movie stars are in the habit of doing, especially when the film in question was a hit. You can feel it in the reviews: the jadedness of critics when it comes to sitting throughwarmed-over version of these tropes, that CGI, all that interconnected multiverse busy-ness, with less at stake each time.the critics. Superhero movies have long been an arena in which popular tastes don’t necessarily sync up with the priorities of reviewers.

It’s possible, but with a major caveat, a qualification that lovers of cinema should actually embrace. And that is:comic-book movies, though they don’t happen every day, will still bring out audiences and excite them. One need look no further than to the success ofa movie innovative enough, as image poetry and as storytelling, to restore one’s faith in the human idiosyncrasy of the comic-book genre. The film’s box-office performance is a striking contrast to that of the movies I mentioned above.

The future is sure to bring too many comic-book movies to count. Disney’s many-tentacled masterplan will see to that, and James Gunn, of course, is just revving up his vision for the new age of DC. Yet if a number of the films continue to underperform in a notable way, the logic of the marketplace will rule.

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'The Flash' opens to $55 million, a step off the typical superhero paceDC and Warner Bros.’ long-in-the-works superhero movie “The Flash' opened to $55 million in its first three days in North American theaters, according to studio estimates Sunday. Though a fair amount of money by normal standards and enough to take first place, it’s also muted by superhero standards. It was a crowded weekend at the multiplex. In addition to “The Flash” there was the new Pixar family film “Elemental,” which got second place, and the horror-comedy “The Blackening.” The only big win was Wes Anderson’s starry “Asteroid City” which earned $720,000 from just six theaters.
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