Save this storyOn the evening of June 7, as the smoke from Canadian wildfires choked the city and bathed downtown in an orange haze, Mayorarrived at the private dining room upstairs at Tribeca Grill with a phalanx of maskless security guards. The Yankees game had been canceled, and emails pinged my phone about postponing events until Friday, but the Tribeca Festival’s annual opening-night reception carried on, with the HVACs working overtime.
In the 21 years since the first iteration beckoned global celebrities and ordinary citizens of New York downtown after September 11, the Tribeca Festival—no longer the TribecaFestival, renamed to reflect the inclusion of music, theater, even video games—is reliably one last cultural circus to cover before everyone checks out for the summer, a film festival that lacks the oomph of Cannes or Venice but nonetheless captures the attention of Manhattan-based media, which is to say all media.
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