“I knew that I had two timelines that we were running in the film,” he said. “One is in colour, and that’s’s subjective experience. That’s the bulk of the film. Then the other is a black and white timeline. It’s a more objective view of his story from a different character’s point of view.
“We shot a lot of our hair and makeup tests using black and white. And then we would go to the IMAX film projector at CityWalk and project it there,” he added. “I’ve just never seen anything like it. To see such a massive black and white film image? It’s just a wonderful thing.” about the film ahead of its release in July, proclaiming that audiences would be surprised by Nolan’s direction in the film.
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