Spider-Man: Across the Spider-Verse review: an atomic, rainbow-colored blast of pure wonder | Digital Trends

Spider-Man: Across the Spider-Verse Score Details “Spider-Man: Across the Spider-Verse is a bold, colorful blockbuster that raises the bar for all the superhero films that are set to follow it.” Pros Cons You’ve never seen a movie quite like Spider-Man: Across the Spider-Verse. Even its predecessor, 2018’s Spider-Man: Into the Spider-Verse, seems a bit quaint in comparison to the new film. It’s not Across the Spider-Verse’s plot that makes it all that unique, either.

Like all great sequels, Spider-Man: Across the Spider-Verse builds on the tricks of its predecessor. The film takes the multi-perspective structure that Into the Spider-Verse toyed around with and fully adopts it. This time, viewers aren’t just invited to see the continuation of Miles Morales’ story, but also Gwen Stacy’s . Both stories are, in typical Spider-Man fashion, shaded in the tragedy of their respective, personal losses.

Miles’ conflict with Miguel and his sacred Spider Society opens the door for Across the Spider-Verse’s script, which was penned by Phil Lord, Chris Miller, and Dave Callaham, to explore complex emotional ideas. Across the Spider-Verse is fittingly compelled by the notion of one’s personal sense of responsibility, and not just to the world at large, but also to those who are closest to us.

As strange as the comparison may initially seem, the film that Across the Spider-Verse most strongly calls to mind is Denis Villeneuve’s Dune. Like that sci-fi epic, Across the Spider-Verse is an immaculately built construction, one that’s overflowing with more vividly-realized ideas, characters, and images than it knows what to do with. Unfortunately, like Dune, Across the Spider-Verse also tells just half of its story.

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