and another urgent documentary out of the Middle East,, directed by Sahra Mani. The latter film shows the disastrous impact on women of the Taliban takeover of Afghanistan in 2021, drawing on furtively recorded cell phone video.“I do believe that cinema’s this essential tool, that humans fight for their liberty with cinema,” Johnson noted, “and having the documentary at Cannes just feels like an affirmation of those struggles.”section.
“We have more and more documentaries about cinema being produced… coming from many places,” observed Gérald Duchaussoy, who heads up Cannes Classics. “There are some which are really literary, cultural-oriented [and] some other documentaries which are more into the energetic puzzle construction, with very fast editing. You can see all the different schools… trying to play with the form.
Doc Day, a signature event of Cannes Docs, unfolded on the plush Plage du CNC along the Mediterranean, highlighted by a Q&A with Kirsten Johnson, a conversation with Kaouther Ben Hania, a discussion with director Justine Harbonnier about her film, and an opulent private lunch further down the beach attended by leading industry figures including former Sundance Film Festival director Tabitha Jackson, TIFF documentary chief programmer Thom Powers, and the likes of filmmaker Dheeraj Akolkar,...
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