A curious choice for the Palme – but what an extraordinary Cannes

was not my choice for the Palme d’Or but what an excellent film it is: deeply intelligent and very grownup, a film whose meanings recede even as you pursue them and given an arrowhead of emotional force by its German star: Sandra Hüller, playing a writer in a dysfunctional relationship.

, tipped by many for the Palme; its success carries for British audiences an extra poignancy: it was adapted from the novel by Martin Amis who died last week, perhaps without ever seeing the finished print of this very impressive and disturbing adaptation. It is a film whose icy clarity and diamond-hard brilliance hit Cannes festivalgoers between the eyes — including mine.

I admit to being a little unconvinced by the director’s prize going to a film in the “foodie vein” which gives me indigestion. Thewas directed by the estimable Tran Anh Hùng: the story of a passionate gourmand, played by Benoît Magimel, and his equally devoted love for his cook, played with sweet delicacy by Juliette Binoche.

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