an institutional survey in L.A. until now is surprising, especially considering how commercially ubiquitous his bright, animated imagery is, seen on T-shirts, mugs, rugs and elsewhere. Perhaps it’s because he was seen as such a quintessentially New York artist or that his roots as a street artist, and the commercial and stylistic accessibility of his work, hindered him being seen as a more serious artist in an art world that prized exclusivity.
“When you look at what Keith Haring’s concerns were and what he attempted to do and say through his art and personal activism — AIDS awareness, his critique of capitalism, his critique of global social justice issues that focused on South Africa and apartheid, his critique of what, in the ’80s, was called consumerism or commodification — he was looking for change. And there are many calls for change, on many fronts, in our times today.
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