Goodbye, ‘Succession’: A Pre-Finale Ode to the Great Show of Our Time

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'Over the course of Succession, creator Jesse Armstrong and his collaborators turned each of the Roys and their cronies into people we can, if not like, at least feel we deeply understand,' writes aherman2006.

” occupies a place eerily analogous to that of fearsome patriarch Logan Roy. After Logan’s sudden, shocking death in the third episode, his colleagues and children had to scramble for an answer to the question that’s haunted the entire series: What — or rather, who — now? “Succession” itself is set to leave a Logan-sized hole in the cultural landscape, with its fan base asking the same question.

The mark of an all-time TV character is a portrait so complete it feels four-dimensional, with their quirks, traumas and complexes so established the viewer can envision how they’d react in some unseen situation. Over the course of “Succession,” creator Jesse Armstrong and his collaborators turned each of the Roys and their cronies into people we can, if not, at least feel we deeply understand — more so, in fact, than their real-life inspirations.

The guessing game drew such intense interest thanks to a uniformly excellent cast, many so relatively unknown that, with the help of their considerable talent, they all but became their characters in the eyes of viewers. Jeremy Strong, whose acting style was so immersive it occasioned an unflattering profile in The New Yorker,Kendall. Brian Cox gave cranky comments about Strong to the press, creating the impression the Roys’ Oedipal struggle extended beyond the screen set.

 

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