Five Takeaways From Cannes, From Johnny Depp’s Bizarre Return to a Revival of Extravagant Parties

No film festival can rival it for delivering old-school Hollywood glamour. And the 76th edition hasn’t suffered from a lack of star power during its first half, with Leonardo DiCaprio, Julianne Moore and Natalie Portman all shining on the red carpet.

But Cannes isn’t just an opportunity to see the biggest actors on the planet on the biggest stage in moviedom. It’s also a chance to take stock of the industry and the challenges it faces. There’s no graver one, certainly, than the Writers Guild strike that’s put the TV and movie business in a holding pattern, along with the possibility that actors and directors will join the picket lines when their contracts expire in June.

scored with “Killers of the Flower Moon.” This Cannes the brightest stars may be the ones behind the camera.Cannes isn’t just a place to premiere movies; it’s also a great setting to sell them. Yet sales agents warnedthat the market would be quiet this year. Announcing multimillion-dollar sales of finished films and star packages would be disruptive and disrespectful of picketing writers. Indeed, movement around sales has been slower than a French waiter.

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What makes a standing ovation last 22 minutes at Cannes?The Cannes Film Festival is on, which means stopwatches are out. Nowhere are the length of standing ovations at high-wattage premieres more carefully recorded and parsed than in Cannes. Did a movie garner a triumphant eight-minute standing ovation? Or did the audience stand for a mere four or five minutes? Such effusive displays of enthusiasm have come to be a hallmark of Cannes and, sometimes, a bit of marketing gimmick for films looking to resonate far from the Croisette. If Cannes, the world’s largest and glitziest film festival, stands for cinematic excess, its thunderous standing ovations can seem like its greatest overindulgence. No one needs a bathroom break?
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