‘May December’ Review: Natalie Portman and Julianne Moore Dazzle, But Todd Haynes’ Drama Is Too Detached for Its Own Good

, a complex drama that’s intrinsically intimate and yet also detached, at times almost clinical.

The director is poking around in territory that’s familiar to him — self-knowledge and public perception, identity and duality, transparency and performance, social norms and the sexual outlaw. But the emotional volatility of the story ends up being somewhat muted by the approach, likely making this a tough sell beyond Haynes’ devoted admirers.

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