The images were selected by a wide range of notable figures across politics, fashion, Hollywood, and art.Calvin Klein selected a photo of Brooke Shields posing for Avedon’s lens in 1980. The actress called his photo shoots “a nonjudgmental exchange of creativity and an exploration of the unexpected.”franchise, highlights Avedon’s commitment to equity between races and sexes.
Student Non-Violent Coordinating Committee, headed by Julian Bond, Atlanta, Georgia, March 23, 1963 | © The Richard Avedon Foundation. Courtesy Gagosian Among the many remarkable images on view at Gagosian are Avedon’s rarely exhibited mural featuring multiple images of a dancing Marilyn Monroe, created from a sitting in 1957 that also produced his iconic “sad” Marilyn.
His dynamic 1971 portrait of Tina Turner is printed at a monumental scale and was selected for the exhibition by Tonne Goodman.© The Richard Avedon Foundation. Photo: Rob McKeever. Courtesy Gagosian In many cases, the link between a photograph and its selector enhances the work’s already powerful impact. Hillary Clinton, for example, has chosen Avedon’s 2003 portrait of her for, while Taryn Simon sought out a 1994 image of Salman Rushdie, inscribed by Avedon to the writer “Yours, in the struggle—Dick,” and loaned by Rushdie for exhibition.Avedon 100
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