in which you divide all of your work into themes that repeat throughout your career, like “mothers” and “desire” and “noir” and “guilt and pain.” Which theme would you slot this new film into?
I write it in Spanish, and then when I finish the script completely, it’s translated into English and then, once it’s translated — because I don’t want it to sound translated — I give it to an author, a real writer, to make it more common. Sometimes it sounds too literal in translation. I’m very insecure about languages. And this is a contemporary movie, so I wanted it to sound contemporary.
I am very sorry for Cate. She was very generous with her house of production, and within the sale. The script is there; they have it, and I wrote it, and I was very glad. But I had to be honest and say that I couldn’t do it. It was a pity because I was completely in love with the script and ready to work with Cate, who is great.You can see her here and ask!
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