a very, very speedy run for its money when it comes to spectacular SFX stunts. It serves them up, however, in the same gleeful spirit that Steven Spielberg brought toway back in 1981, when CGI was just a pup, with a satisfying sprinkling of call-backs to moments in the earlier films. Where new tech really comes into its own, however, is undoing the weathering of the years on Ford’s handsomely old face.
Set in 1969, with the moon landing happening on TV and anti-Vietnam war demonstrations in the streets, the story regularly jumps back 30 years – and so does Ford, thanks to the miracle of digital de-aging. His nemesis in both timeframes is Hitler’s favorite physicist, gone freelance by the ‘60s but still committed to a racially pure Third Reich, played by Mad Mikkelsen.
Since antiquity, however, the Antikythera has been divided in two. One half is the object of contention between Voller and Indy, who tussle for it in 1939, when the Führer wants to get hold of it to exploit its potential to do – well, this is unclear, but bad things. This half is apparently lost forever during the fight in the train, but no: Indy’s late colleague and friend Basil Shaw managed to hang on to it. The other half is buried with Archimedes. Maybe. Somewhere.
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