The prospect of a prolonged work stoppage could potentially drive up prices for finished films at Cannes, the world’s top movie market. Among the titles seeking distribution is Haynes’ “May December,” which stars Natalie Portman as a journalist who embeds with a couple once renown for their age discrepancy.
There’s also the upcoming HBO series “The Idol,” from “Euphoria” filmmaker Sam Levinson starring the Weeknd and Lily-Rose Depp; “Firebrand” with Alicia Vikander as Catherine Parr and Judd Law as Tudor King Henry VIII; and the Pixar movie “Elemental," which closes the festival. “But it’s the most important film festival,” continues McQueen. “Our film is asking questions. This is where you want to premiere films that challenge and films that ask questions. You’re right on the front line.”While many eyes will be on reactions to the new Scorsese or “Asteroid City,” Cannes will, as it does every year, bring new directors to wider film audiences. Senegalese filmmaker Ramata-Toulaye Sy’s “Banel & Adama” is the rare first feature in Palme competition.
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