The close-up look on your face as Peter goes through the ice is devastating—how did you approach those initial scenes right after it happened, when she’s utterly numb?
Catherine does quickly go into this frenzied state of denial, which is very clear in that scene where she feverishly plays badminton with herself. What was that like to shoot?] We had an ’80s roller disco to celebrate the midpoint of shooting. And I fractured my wrist. I’m like a masochist, [saying] “Let’s go, anything for Catherine!”podcast, it was about this father and daughter and the mother had passed away.
She tricked her body into really not knowing [if he was dead or not]. So it’s almost like someone who’s awakened and had a brain injury. That train is slowly coming and creeping in. And it first starts at the play, for sure, because they’re making fun of her so bad and she’s trying to keep it together, that feeling you get where you’re like, “God, something is wrong and I don’t know what it is” in your stomach. Then not until she eats the salty dessert does it really finally hit her.
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