, Fassbinder came up with something entirely his own. His most accessible film, Ali is a moving masterpiece about a widow who falls in love with a young Arab man . Fassbinder takes the structure of Sirk’s melodrama and expands on it to comment on the racism simmering under the surface of West Germany in the ‘70s.
His delicate framing and work with character are on perfect display here in a film that doesn’t subvert the emotion of the source material so much as repurpose it with more anger and poignancy.
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