Beyond the cruel irony of this existential crisis for writers, the call to limit AI’s influence in this context raises the question: Does it really matter who – or what – creates a good story well told?series was the product of AI, as long as it was engaging and entertaining – and especially if they didn’t have to wait so long between seasons?
Sure, AI can write a plot line about racism in Depression-era Alabama, but can it capture the powerful anxiety of Harper Lee’s? It can spew out a scene where two friends kibitz about love in a New York diner, but can it capture the comic brilliance of a line of dialogue like “I’ll have what she’s having”? And yes, it can mimic a complicated guitar solo, but can it inspire like the magic of a B.B.
That point is more salient when we consider that restricting AI in the creation of stories isn’t the only thing the writers want as part of their contract negotiations with a trade association representing the top Hollywood studios, television networks and streaming platforms.
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